Fig:1
Gable end wall in a house. The portion of the building behind is single height only.
Gable end wall in a house. The portion of the building behind is single height only.
Fig:2
Another house with gable end wall. The portion behind contains double height spaces.
The usage of gables as facades in the original Dutch sense had not crept into the Jaffna building designs. This may have been due to several reasons. There is a belief among some people in Jaffna that the gable ends as facades should only be used for religious buildings. Planning considerations and even traditional "Sitpa Sastra" rules too could have prevented its use as the facade.
Fig:3
"An arch standing in the site of the place, referred to as "Sankiliththoppu", of the last Jaffna king Sankiliyan. Widely believed as an entrance to the later Dutch building.
Another house with gable end wall. The portion behind contains double height spaces.
The usage of gables as facades in the original Dutch sense had not crept into the Jaffna building designs. This may have been due to several reasons. There is a belief among some people in Jaffna that the gable ends as facades should only be used for religious buildings. Planning considerations and even traditional "Sitpa Sastra" rules too could have prevented its use as the facade.
Fig:3
"An arch standing in the site of the place, referred to as "Sankiliththoppu", of the last Jaffna king Sankiliyan. Widely believed as an entrance to the later Dutch building.
Fig:4
An entrance to a house with a decorative gable wall. The characteristic shape of the gable, the arch and other decorative motifs are of western in style.
Latter the concept of finishing the roof with gable walls had been brought into the front elevation as well. One should note that this was not done by bringing the gable of the main roof as facade, but by introducing secondary roofs with gables. This had been achieved by introducing a porch with a roof ridge placed perpendicular to the plane of the front elevation. Further development possibly at a very much latter date brought in more gable walls to the facade by adopting a bit more complicated roof arrangement at the two ends of the front elevation. A more in-depth
An entrance to a house with a decorative gable wall. The characteristic shape of the gable, the arch and other decorative motifs are of western in style.
Latter the concept of finishing the roof with gable walls had been brought into the front elevation as well. One should note that this was not done by bringing the gable of the main roof as facade, but by introducing secondary roofs with gables. This had been achieved by introducing a porch with a roof ridge placed perpendicular to the plane of the front elevation. Further development possibly at a very much latter date brought in more gable walls to the facade by adopting a bit more complicated roof arrangement at the two ends of the front elevation. A more in-depth
A decorative gable wall on one end of the front view of a house is visible here. There is a similar wall on the other end of the front view too, which is not visible in the picture.
An entrance to a house built during early 20th century. Note the pilasters, pilaster capitals, columns, balustrades and other elements which are essentially western.
study is necessary to determine the timing of the above mentioned and other changes that took place in the facades of Jaffna houses by recording and analysing available gable types, their shapes and the motifs used, in comparison with the Portuguese, Dutch and British examples in their countries of origin and in various colonies ruled by them.
Decorative elements on top of a gable wall found in a house. At the two lower points reflect a western motif, at the top an animal, possibly a western mythological beast is placed.
Note the decorative element at the bottom had been replaced by”Niraikudam", a Hindu symbol, in this gable wall. At the top most point only a neutral element had been placed.
The decorations used in these gable elements commonly based on western concepts and consists of several western motifs. However it is not uncommon to see some motifs based on local culture too. This practice most probably had come in during the late British period when awareness towards local culture increased due to various reasons. One can see "Niraikudam" (full pot), Nandhi (Seated Bull) and even some Hindu deities as motifs in these decorations
An entrance to a house built during early 20th century. Note the pilasters, pilaster capitals, columns, balustrades and other elements which are essentially western.
study is necessary to determine the timing of the above mentioned and other changes that took place in the facades of Jaffna houses by recording and analysing available gable types, their shapes and the motifs used, in comparison with the Portuguese, Dutch and British examples in their countries of origin and in various colonies ruled by them.
Decorative elements on top of a gable wall found in a house. At the two lower points reflect a western motif, at the top an animal, possibly a western mythological beast is placed.
Note the decorative element at the bottom had been replaced by”Niraikudam", a Hindu symbol, in this gable wall. At the top most point only a neutral element had been placed.
The decorations used in these gable elements commonly based on western concepts and consists of several western motifs. However it is not uncommon to see some motifs based on local culture too. This practice most probably had come in during the late British period when awareness towards local culture increased due to various reasons. One can see "Niraikudam" (full pot), Nandhi (Seated Bull) and even some Hindu deities as motifs in these decorations
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